Our American Vaccination Indoctrination (2) Norman Rockwell's Americana art was sponsored by Merck, pharma to integrate their vaccines into American culture

Norman Rockwell was paid by Merck pharmaceutical company to create illustrations that glorify and normalize the consumption of medical products, especially vaccines.

May 27, 2023

Vaccinations are not a normal part of life, nor have they been used for the majority of human history and thus they are not necessary for the survival and flourishing of human culture; the only way that vaccinations can be “integrated into daily life” is by government coercion and corporate propaganda. Indeed, The Lancet medical journal published in 1938, “Without propaganda, there can be no large-scale immunization … If we baldly told the whole truth, it is doubtful whether the public would submit to immunization.”

Corporate Contamination of Culture: Norman Rockwell’s Americana art was paid and influenced by Merck drug company (“big pharma”) to give the illusion that vaccines were a normal part of American culture

Norman Rockwell was a famous and iconic American painter whose work has epitomized, defined, and reinforced 20th-century ‘Americana’ through depictions of everyday American life—especially the idealized and simplified “good old days” perspective. Indeed, Rockwell can easily be described as the single most iconic artist of traditional positivistic ‘Americana'. Rockwell illustrations demonstrated “optimism, values, and social dynamics of the United States over nearly five decades, creating a visual narrative of American culture. Rockwell’s art often portrayed scenes of family, community, and patriotism, such as his famous Thanksgiving paintings, which became synonymous with the American holiday tradition.”

Americana [plural noun, Amer·i·ca·na ə-ˌmer-ə-ˈkä-nə] 1: materials concerning or characteristic of America, its civilization, or its culture; broadly: things typical of America1

Rockwell was paid by the multinational drug company Merck to paint scenes of “everyday American life” (Americana) that normalized and glorified vaccination injections, thereby blurring the distinction between “real life” and drug propaganda. Vaccinations are not a normal part of life, nor have they been used for the majority of human history and thus they are not necessary for the survival and flourishing of human culture; the only way that vaccinations can be “integrated into daily life” is by government coercion and corporate propaganda.

Few things can represent America better than the fact that much of its iconic art and theater which defines the culture was paid for and influenced by private, profiteering, corporate-government interests; as such, the distinction between culture and advertising is forever blurred. This is perhaps to be expected in a nation that embraces simplistic notions of capitalism without limits, regulations or ethics, where “victory at all costs” is praised and well paid, and the victims are ignored, disregarded, insulted or blamed for their losses. All nations and cultures have their indoctrination and propaganda, which is designed to appear as part of the native/natural/normal culture.

“without propaganda, there can be no large-scale immunization … If we baldly told the whole truth, it is doubtful whether the public would submit to immunization.” Lancet 1938

Many Americans can immediately recognize the art of Norman Rockwell (1894-1978) as his paintings from the Saturday Evening Post are an indelible part of Americana, showing moments that reflect and then dictate integral parts of American life.

In this classic painting “Before the Shot” from the March 1958 cover, Rockwell depicts a doctor preparing a vaccination injection for a young boy.